Showing posts with label public art. Show all posts
Showing posts with label public art. Show all posts

Tuesday, May 30, 2017

Six Word Memoir Project Comes to Salem, Massachusetts

Once upon a time, I had a particularly wonderful group of Intro to Public History students.  We were working with the idea of memoir as public history.  As a lark, really, I asked them to write their life story in six words, no more no less.  The idea came from  Smith Magazine and we all found it to be really compelling.  So compelling, in fact, that we decided to involve our campus in the process.  My students got hundreds of students involved.  They shared their experiences, from the mundane to the sacred and everything in between.


As public historians, we grappled with how to curate, to care for, other people's stories.  We came up with creative ways of getting people to contribute and we took turns gatekeeping content and dealing with difficult memoirs, painful ones, angry and sad ones.  We talked and debated and ultimately designed a series of arresting exhibits all over campus.  You can see them here.  From kitchen staff to the Vice President, so many members of our community got involved in the project.  Students turned out to help us erect a public art installation, a living breathing web that blew in the wind and brought movement and life to our shared stories.

It was a beautiful project.

This is why I am so happy that the Salem Award Foundation is bringing it to the City of Salem on June 11th.  Residents of all ages, classes and creeds will come together to share their stories.  In six words, no more, so less. 

Wednesday, April 12, 2017

The Places Projects is on Sewanee's website!

Our project, the Places Project, got featured on the Sewanee website.  It is always strange to read an effort to try to capture something that for you is fluid and so very much alive -- even a great piece like this.  The Places Project is in my bones right now.  I am not ready for it to be static, but I am ready for the word to get out there about it.

Places project feature

Anna Sumner Noonan C’17, Catherine Casselman, C’17, and Margo Shea pore over maps of the South Cumberland Plateau annotated with local residents’ stories about places that are significant to them. Photo by Buck Butler

Drawing the People’s Map

A Sewanee professor and her students collect stories about places on the South Cumberland Plateau to compile a rich topography of personal history.



You can read the full piece here:
http://www.sewanee.edu/features/story/places-project.html


Sunday, March 22, 2015

Let Go of Your Sorrows? What To Make of Derry's Temple

How do you say the unsayable?  Translate the untranslatable?  It makes sense that David Best, a sculptor deeply embedded in the "you can't understand it until you've been to it" Burning Man festival would come to Derry, Northern Ireland with ingredients for a community project designed around reflection and release. Sponsored and organized by Artichoke Trust, which specializes in helping artists engage communities in larger-than-life installations located in unpredictable spaces, Temple was conceived as a community process.  To build it.  To inhabit it. To witness as it burned.


According to Best, the point of Temple was twofold: to create a space for catharsis and to reframe bonfires. Bonfires, of course, have a long history in Northern Ireland.   There were fires to commemorate the 12th, the Relief of Derry in August, and then tit-for-tat bonfires to observe Lady Day, or the feast of the Assumption of Mary a couple days later.  And those bonfires, it is said, are artifacts of the ancient bonfires lit to celebrate Lúnasa, the harvest "festival of light." December would see Lundy's effigy burn.