Margo Shea

 It was such a pleasure to talk with Ryan Shelton of New Books Network about my book, Derry City.   I've linked to the interview here . Enjoy! For a 40% off coupon and free shipping, enter (type, don't copy and paste) the promo code 14AHA22 . This offer is good for both print and ebooks, but it is only available through January 31st, 2022 .  

Very excited to share the catalogue info for Derry City !   (Note: If you want to buy the book, check here regularly, because I post discount promo codes from the press as they become available. The paperback won't be out for awhile, and the hardcover is pricey. ( Enter promo code 14AWP22  in the shopping cart to redeem 40% off your purchase and free shipping in the domestic U.S. until April 8, 2022.) The book traces the social and cultural history of Catholic and nationalist Derry from the end of the 19th century to the 1960s through the lens of memory and thus explores how engagements with memory might help us better understand history. Mapping memory work and historical consciousness, I argue through this book, illuminates a deep reservoir of a community’s experience and makes visible battles that were waged quietly, out of the limelight over long periods of time. When they were producing formal historical accounts, local chronicles, telling ghost ...

I went to numerous conferences this year.  It was a nice perk of being a fellow at the Collaborative for Southern Appalachian Studies .  Sharing my work on participatory cultural memory, I was on panels with literary theorists, social workers, psychologists, planners, musicologists and geographers. Traveling outside my academic "home" of public history was a learning experience for me.  I love my sub-discipline and have long been a booster for public history as a rich community of practitioners and scholars.  When one of my students attended her first National Council on Public History annual meeting a few weeks ago in Indianapolis and declared of attendees, "I can honestly say these were the most supportive people I have ever met in my life," my reaction was, "Yes - of course.  That is who we are ."

Our project, the Places Project, got featured on the Sewanee website.  It is always strange to read an effort to try to capture something that for you is fluid and so very much alive -- even a great piece like this.  The Places Project is in my bones right now.  I am not ready for it to be static, but I am ready for the word to get out there about it. Anna Sumner Noonan C’17, Catherine Casselman, C’17, and Margo Shea pore over maps of the South Cumberland Plateau annotated with local residents’ stories about places that are significant to them. Photo by Buck Butler Drawing the People’s Map A Sewanee professor and her students collect stories about places on the South Cumberland Plateau to compile a rich topography of personal history. You can read the full piece here: http://www.sewanee.edu/features/story/places-project.html

Last year, colleagues and I hosted a roundtable discussion at the National Council on Public History's annual meeting on learning from failure in public history practice.  The blog post that inspired it is here: Do You Have a Problem with the Word Failure? It was particularly memorable for me because we got to play Failure Bingo, which was pretty great: The American Historian  was nice enough to publish a short piece on the wisdom that emerged from the roundtable on the ways we might best address failure in public history collaborations. You can read it by clicking here . Let me know what you think in the comments!

Photo credit: Kate Preissler I took a risk this semester and dedicated a fairly large chunk of class time to teaching Serial in Intro to Public History.  It was placed in the syllabus as a bridge between a unit on memory, identity and different publics and a unit on settings and tools for public history practice.  I was inspired to do this by my own engagement with the podcast ( errrr, obsessive binge listening ) and by some great email conversations with Kate Preissler, Digital Projects Manager at the Berkshire Museum in Pittsfield, MA, who wrote a fabulous blog post on Serial and public history for the NCPH blog. In case you've been under a rock,  Serial  was a hugely popular podcast that ran for twelve episodes last autumn.  It examined the murder of high school student Hae Min Lee in 1999 in Baltimore and pulled apart the evidence used to successfully convict Lee's ex-boyfriend Adnan Syed -- who pleaded not guilty and maintains his innocen...

While I wait in the airport for my husband to finish running a half marathon and then drag himself to come get me,  it's a good time to write a quick post about the 2014 Oral History Association Meeting in Madison, Wisconsin.  It was my first OHA meeting.  Seasoned oral historians and experts on reflection and analysis of the interview process Stacey Zembrzycki  and Anna Sheftel  invited me to participate in a roundtable conversation on humbling moments because of my insistence on discussing failure  in community collaborations more openly last spring at the 2014 National Council on Public History annual meeting .  The panel also included the trailblazing feminist oral historian Sherna Berger Gluck and Janis Thiessen , a thoughtful and critical historian of Canadian labor, business and religion.  We had really good attendance and a remarkably rich and flowing conversation, given the fact that there were about forty people in the room.

Last night, while I was prepping for the seminar I teach on historiography, I realized that one of the reasons we teach historiography is to give students a basic vocabulary with which to critique historical research and writing. T here are instances in which the correct word matters, not the OK word or the more or less descriptive word. (This, of course, is coming from the woman who, as a four year old, asked her mom if she could postpone her nap because she wasn't tired at the moment.  I used the perfectly appropriate word and got out of my nap.  Life lesson learned.  Check.) In no particular order, then, here are a few of the most commonly used words historians sling at each other and what they mean.  Followed by what they really mean:

On Tuesday, May 6 th , Boston College’s Director of Public Affairs, Jack Dunn, announced that ‘The Belfast Project” oral history initiative would honor all requests from participants to return recordings and transcripts of interviews not currently in use as evidence in the murder investigation of Jean McConville, a Belfast widow abducted and murdered by the IRA in 1972 .   The college will keep no copies. The information in the interviews will remain known only to the interviewers, a few Boston College employees and William Young, a federal district court judge who read the transcripts to determine which ones should be delivered to Northern Irish authorities under a treaty governing exchanges of information between nations for the purposes of law enforcement.   Boston College’s decision came on the heels of events last week, when the Police Service of Northern Ireland held Sinn Féin leader Gerry Adams for questioning about his involvement in the McConville murd...

 Academic historians have a favorite question for me. I wish I could say that it is irrelevant to my interests and concerns. However, it actually does matter quite a bit, though it matters differently  for me , I think, than it does in the way the askers intend.  The question is always a very polite and well-intentioned attempt to ask me if I missed the memo that tells historians that memories are untrustworthy as sources of historical information.  "You do know that you aren't supposed to trust memories to be descriptive of actual events, right? Right? OK.  As long as you know."   "Memory is a poet, not an historian." Historians tend to criticize the practie using of remembrance as a source for interpreting the past.  Without other corroborating sources, it is OK to discuss people's remembrances and recollections of the past only as long as one does not suggest that those recollections relate in any meaningfu...