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Showing posts with the label memorialization

The Museum of Free Derry Needs to Keep the Names Up

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The Museum of Free Derry has recently drawn fire from all sides for an exhibit that lists the names of all those killed in the area during the early Troubles.  On one hand, relatives of RUC officers killed during the Troubles "find it disgraceful " that their loved ones are identified in a space they consider a bastion of republicanism and which supports "terrorism."  On the other hand, some relatives of Bloody Sunday victims and others object to the full display of names of those killed on the grounds that it shows "complete disrespect for those on the list that have been murdered by the establishment" by having members of "the establishment" listed alongside the Bloody Sunday dead and other victims of state violence.  While the exhibit has been up for a decade, it has received attention recently because of the reopening of the museum after renovations. I was so glad that the Museum of Free Derry received £2.4m to fund renovations and an ex

Erasing Labor Day?

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A friend of mine posted this picture yesterday: She took it at her dry cleaners.  It led to a very funny thread on her Facebook wall: "Someone might need a tutorial on holidays?" "Police?  Well, they are usually unionized, right?" "Union organizers! They keep us strong and free." "My shop steward definitely keeps me safe from management." And it went on from there.  One person made the case that the dry cleaners' experience was directly connected to the events at the Triangle Shirtwaist Factory in New York and  made them, possibly, more amenable to learning the stories of America's labor organizing histories. "History is a weapon." Several people mentioned American flags flying everywhere in honor of Labor Day.  Here in Tennessee, college classes ran on schedule and even the campus post office was open for half the day. Labor Day seemed a non-event. Are we erasing Labor Day from our national commemorative c

Since when were the Gardaí on the other side of the Northern Ireland conflict?

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Today, the International Coalition of Sites of Conscience announced its grant awards for 2016. Photo courtesy of SHOUT One grant was awarded to an organization called   Diversity Challenges , whose mission is "to assist culturally specific groups in integrating community relations principles and considerations within all aspects of their work." According to the Sites of Conscience the grant will  fund “Voices from the Vault,” a project that collects stories from former police officers in two police forces on either side of the (Northern Ireland) conflict. The work is groundbreaking in the sense that it is uncommon for state agents in any dispute to talk about their experiences." Ummmm, what? As a public historian, I tend to dismiss academics who get petty about semantics.  They always seem to have an air of the kid in the front of the room just dying to get the answer right. (The kid waving their hand in the air so hard you think they might pee themselves

Tours at the Highlander Folk School Historic Site

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My students and I have been busy.   Sewanee Students Offer Historical Tours of the Highlander Folk School  If you have ever wanted to learn more about the Highlander Folk School in the Summerfield community of Grundy County, now is your chance to learn. University of the South students enrolled in courses offered through the Collaborative for Southern Appalachian Studies will offer free historical tours of the Highlander Folk School site on Saturdays throughout April. Tours will be offered at  1 and 3 p.m.   April 9 , 16, 23, and 30, weather permitting. Tours last approximately one hour and leave from the Highlander Folk School Library on Old Highlander Lane in Monteagle, Tennessee. If you are interested in attending a tour, please plan to arrive 10 minutes before it is scheduled to begin. Student tour guides will share the history of the site and the vision and ethos of its founders and staff. They will introduce the historic programs and work of the school and rela

1916: The Centenary of the Easter Rising

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It is the 100th anniversary of the Easter Rising.  Events throughout the week, indeed throughout the year, are scheduled in Dublin.  It is an interesting moment of looking back and looking forward, as commemorations generally tend to be.  I, for one, think the Republic has only healed from its turbulent history in the wake of the Northern Ireland peace process.  Until then, there were still schisms and wounds.  What kind of nation is Ireland and what kind of nation will it be?  The centenary of the Rising is a good time to ask these questions, a good time to transcend post-colonial collective traumas and still, to carry the lessons of the past to continue to construct a democratic, progressive, welcoming nation that puts the wellbeing of its citizens before everything else. At about 11:00 am on Easter Monday, 100 years ago today, the Irish Volunteers, along with the Irish Citizen Army, assembled at various prearranged meeting points in Dublin, and before noon ambushed and occup

Let Go of Your Sorrows? What To Make of Derry's Temple

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How do you say the unsayable?   Translate the untranslatable?  It makes sense that David Best, a sculptor deeply embedded in the "you can't understand it until you've been to it" Burning Man festival would come to Derry, Northern Ireland with ingredients for a community project designed around reflection and release. Sponsored and organized by Artichoke Trust , which specializes in helping artists engage communities in larger-than-life installations located in unpredictable spaces, Temple was conceived as a community process.  To build it.  To inhabit it. To witness as it burned. According to Best, the point of Temple was twofold: to create a space for catharsis and to reframe bonfires. Bonfires, of course, have a long history in Northern Ireland.   There were fires to commemorate the 12th, the Relief of Derry in August, and then tit-for-tat bonfires to observe Lady Day, or the feast of the Assumption of Mary a couple days later.  And those bonfires, it is said

Night Will Fall: A Meditation on Representation

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At ceremonies and pilgrimages, through newspaper accounts and private reflection, people around the world observed the 70th anniversary of the liberation of Auschwitz last week.  It has become a touchstone date, a moment for remembrance, a call to witness.  Perhaps the ghosts of the Holocaust were with us as well.  In a locked room at Auschwitz in which an the Italian television crew and Jewish leaders found themselves trapped. Amidst silence and candlelight at vigils across the globe.   And in André Singers' film  "Night Will Fall,"  which aired around the world on January 27th. Night Will Fall is a film about witnessing.  About survival amidst death. About the ways to tell a story, the impact of the visual, the politics of evidence.  About the power of solid historical research to deepen our understanding of both the past and the horizons and the limits of our humanity.  It is a difficult and necessary film. There's been much ado about the documentary, and

The Irish Famine: LOL?

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They say comedy = tragedy + time .  A proposed television series set in Ireland during the Famine (1845-1852) has raised interesting questions about how to attribute meaning and weight to each variable in this particular equation. When screenwriter Hugh Travers, a Dublin native, mentioned in an interview that he had been given an open commission to develop a television program by Channel 4, and was working on a tragicomedy set during the Famine, he referred to it as a "kind of Shameless , set during the Famine."  Reaction was speedy, and quite what you would expect.  Most stories ran photos of Rowan Gillespie's Dublin memorial to Famine victims. The Daily Mail  led the race for the headline with, "Is this the Most Tasteless Idea for a Sitcom Ever?"  while IrishCentral.com's Irish-American pundit  Niall O'Dowd forgave those who thought this was an April Fool's joke . The Irish Times interviewed writers and historians who said it was in poo

The Salem Witch Trial Memorial - “What's This Memorial Really About?”

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I was supposed to give this talk today, but it got rained out.  I may have the chance to give it again sometime soon, but I thought I'd post this here in case anyone is interested. The Salem Witch Trial memorial was erected in 1992 to mark the tercentenary of the witch hysteria. It was designed as the first physical structure in the city of Salem to commemorate the trials and the execution of twenty innocent people suspected of witchcraft in 1692.    What a beautiful, reflective, introspective space.  People often forget just how long the memorial was in coming to fruition.   Historic Salem, Inc. created a committee in 1963 to commemorate what they then referred to as the Witch Delusion.   The idea was that the memorial would rest on Gallows Hill, where the hangings are believed to have taken place.   At that point, the Essex Institute, now part of the Peabody Essex Museum, and the Massachusetts Society for the Preservation of American Antiquities, now Histo

The City Revisited: A Re-photographic Study of Derry

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A lot of really wonderful things happened in Derry, or Londonderry, (or Legenderry even,) last year when it became the first UK City of Culture.  For a small city, it's been big at  attracting interesting and creative people; last year there was funding and impetus for people to continue and build on that tradition. One of my favorite projects was created by two photographers, Andy Horsman and Paul McGuckin .  They rephotographed iconic Derry photos, many taken over 100 years ago.  Using a large format camera that would have been used to take the originals (5" x 4") they did some editing magic to knit the images together in surprising, poignant and occasionally haunting ways. You can check out their awesome blog to learn more about them, their technique and the evolution of the project.  A montage of their work mashing up more contemporary cityscapes in Derry with scenes of the civil rights movement and the Troubles can be found here, at the BBC History website. I d

Dialogue with Racial Violence - Really?

So, turns out that three first year students from the Ole Miss chapter of the  Sigma Phi Epsilon fraternity were probably responsible for defacing the statue of James Meredith on the Ole Miss campus  last weekend.  The chapter's been indefinitely suspended, but not before it voted to expel the students allegedly responsible for tying a noose around the neck of the statue and enrobing it in a flag emblazoned with the Confederate Battle flag.  Their parents must be so proud.