The Museum of Free Derry has recently drawn fire from all sides for an exhibit that lists the names of all those killed in the area during the early Troubles. On one hand, relatives of RUC officers killed during the Troubles "find it disgraceful " that their loved ones are identified in a space they consider a bastion of republicanism and which supports "terrorism." On the other hand, some relatives of Bloody Sunday victims and others object to the full display of names of those killed on the grounds that it shows "complete disrespect for those on the list that have been murdered by the establishment" by having members of "the establishment" listed alongside the Bloody Sunday dead and other victims of state violence. While the exhibit has been up for a decade, it has received attention recently because of the reopening of the museum after renovations. I was so glad that the Museum of Free Derry received £2.4m to fund renovations and an ex
Showing posts with the label museums
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Ever wonder what a group of talented, ambitious, passionate and creative young museum professionals would discuss if they got together on a Tuesday evening? So did I. Hence, this event, which took place April 21, 2015: We had a terrific panel discussion with practitioners working in historic museums, historic sites and other corners of the field. I was so impressed by the thoughtfulness and generosity of our panelists -- Bethany Groff Dorau, North Shore Regional Site Manager for Historic New England, Doneeca Thurston, Adult Programs Coordinator at the Peabody Essex Museum, Kate Preissler, Executive Director at Wisteriahurst Museum and Jonathan Parker, Chief of Education, Interpretation and Collaborative Partnerships at National Parks Service -- Salem Maritime and Saugus Ironworks National Historic Sites.
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What do people think of when they think about museums? Specifically, I am talking about what college students, most of whom come from eastern Massachusetts, think of when you ask them to do a free association with the word "museums." Now to be fair, this class of mine, Intro to Public History, has a mixed blend of students. Some are avid young public historians and they take as many classes as they can in material culture, museum studies, architecture, local history, etc. Others, ummm, it fit their schedule. So here's what comes to mind for them: I am not sure why we had so much fun with this, or why I found the exercise both utterly entertaining and oddly gratifying. But I did. We laughed a lot. We had an intelligent conversation. I guess that's it. We laughed a lot and had an intelligent conversation. (Not necessarily mutually exclusive activities, but you'd be surprised how rarely the two occur simultaneously.)