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Showing posts from March, 2015

Not Everyone is Hiding from Scary Ideas in College

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This article by Judith Shulevitz has been popping up in my Facebook feed all week.  Every time I see the girl wrapped up in the fetal position inside a giant ear, I seethe a little bit more.  It seems that the Shulevitz piece has hit quite a nerve. Everyone is so ready to castigate the fragile flower millenials for their inability to get outside of their own heads and hearts.

The crux of the argument expressed in the piece seems to be that in an over-medicalized, over-protective culture, students today are perfectly content to sacrifice free speech and independent thought so that they do not ever risk the danger of being "discomfited" or, gasp, "distressed."

Writes Shulevitz, "It is disconcerting to see students clamor for a kind of intrusive supervision that would have outraged students a few generations ago.  But those were hardier souls.  Now students' needs are anticipated by a small army of service professionals --- mental health counselors, student-…

Let Go of Your Sorrows? What To Make of Derry's Temple

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How do you say the unsayable?  Translate the untranslatable?  It makes sense that David Best, a sculptor deeply embedded in the "you can't understand it until you've been to it" Burning Man festival would come to Derry, Northern Ireland with ingredients for a community project designed around reflection and release. Sponsored and organized by Artichoke Trust, which specializes in helping artists engage communities in larger-than-life installations located in unpredictable spaces, Temple was conceived as a community process.  To build it.  To inhabit it. To witness as it burned.

According to Best, the point of Temple was twofold: to create a space for catharsis and to reframe bonfires. Bonfires, of course, have a long history in Northern Ireland.   There were fires to commemorate the 12th, the Relief of Derry in August, and then tit-for-tat bonfires to observe Lady Day, or the feast of the Assumption of Mary a couple days later.  And those bonfires, it is said, are art…

Teaching Serial as Public History

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Photo credit: Kate Preissler I took a risk this semester and dedicated a fairly large chunk of class time to teaching Serial in Intro to Public History.  It was placed in the syllabus as a bridge between a unit on memory, identity and different publics and a unit on settings and tools for public history practice.  I was inspired to do this by my own engagement with the podcast (errrr, obsessive binge listening) and by some great email conversations with Kate Preissler, Digital Projects Manager at the Berkshire Museum in Pittsfield, MA, who wrote a fabulous blog post on Serial and public history for the NCPH blog.
In case you've been under a rock, Serial was a hugely popular podcast that ran for twelve episodes last autumn.  It examined the murder of high school student Hae Min Lee in 1999 in Baltimore and pulled apart the evidence used to successfully convict Lee's ex-boyfriend Adnan Syed -- who pleaded not guilty and maintains his innocence to this day, from his cell in a maxim…

Art of Memory: Samuel Beckett

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Comments I made at a panel on Beckett March 5, 2015.....

If there is one Irish writer whom you do not normally associate with memory, it would have to be Samuel Beckett.  Often portrayed as the "artist from nowhere," and as having an imagination situated somehow "outside of history," Beckett the man and Beckett the writer were almost obsessively forward-looking.  Exploding categories, questioning identities, accommodating chaos.   Looking back? Nah. Except Beckett insisted he could remember being in utero.  Yup. And he didn't like it one bit.  

Seems that for Sam, suffering started early.  He claimed, "It was an existence where there was no voice, no movement that could free me from the agony and darkness I was subjected to."